carolinrauen_koenig&bauer_1 carolinrauen_koenig&bauer_2 carolinrauen_koenig&bauer_3 carolinrauen_koenig&bauer_4 carolinrauen_koenig&bauer_5 carolinrauen_koenig&bauer_6 carolinrauen_koenig&bauer_7 carolinrauen_koenig&bauer_8 carolinrauen_koenig&bauer_9 carolinrauen_koenig&bauer_10 carolinrauen_koenig&bauer_11 carolinrauen_koenig&bauer_12 carolinrauen_koenig&bauer_13 carolinrauen_koenig&bauer_14 carolinrauen_koenig&bauer_15 carolinrauen_koenig&bauer_16 carolinrauen_koenig&bauer_17 carolinrauen_koenig&bauer_18 carolinrauen_koenig&bauer_19 carolinrauen_koenig&bauer_20

Koenig & Bauer

200 years ago the founders of Koenig & Bauer invented the first printing machine driven by a steam engine. On behalve of this anniversary a box including a book, a bookazine and 13 posters tell the story from the past to the future – from technical but also very personal perspectives. “Menschen”, “Maschinen” and “Ideen” proove that innovation can result from tradition.

for Koenig&Bauer
with/at Mutabor & Grauel Publishing
book design, editorial design, packaging design, illustration
360 x 280 mm/180 x 240 mm/120 x 170 mm
offset printing, silkscreen printing

4 × Red Dot Award: Communication Design 2018
3 × BCM Best of Content Marketing 2018
2 × ADC Award 2018

carolinrauen_mkg_islam_2 carolinrauen_mkg_islam_1 carolinrauen_mkg_islam_3 carolinrauen_mkg_islam_4 carolinrauen_mkg_islam_5 carolinrauen_mkg_islam_6 carolinrauen_mkg_islam_7 carolinrauen_mkg_islam_8 carolinrauen_mkg_islam_9

Islamic Art at MKG

The collection of Islamic art of the Museum für Kunst und Gewerbe Hamburg is one of the most important in Germany. In the new exhibition the artworks are grouped by topics instead of their geographical origin: The relations between past and present become obvious, many open questions are answered by the history. The objects are in the centre of attention, the exhibition design and graphic form a subtly frame to let them shine.

carolinrauen_arjowiggins_01 carolinrauen_arjowiggins_02 carolinrauen_arjowiggins_03 carolinrauen_arjowiggins_04 carolinrauen_arjowiggins_05 carolinrauen_arjowiggins_06 carolinrauen_arjowiggins_07 carolinrauen_arjowiggins_08 carolinrauen_arjowiggins_09 carolinrauen_arjowiggins_10 carolinrauen_arjowiggins_11

Reinventing the bookmark

Task: Design a bookmark for the catalogue of the “fiac!” art fair in Paris. Instead of putting a nice picture on a rectangular piece of paper, we focused on its function: Remembering the page where you stopped reading. But why not also marking a line or even a word you don’t want to forget? Our solution: a 3d object that creates fun, that is not buckling because of standing out too far, and that spreads visual and haptical pleasure.

carolinrauen_mseuropa2_01 carolinrauen_mseuropa2_02 carolinrauen_mseuropa2_03 carolinrauen_mseuropa2_04 carolinrauen_mseuropa2_05 carolinrauen_mseuropa2_06 carolinrauen_mseuropa2_07 carolinrauen_mseuropa2_08 carolinrauen_mseuropa2_09 carolinrauen_mseuropa2_10 carolinrauen_mseuropa2_11 carolinrauen_mseuropa2_12

MS Europa 2

For the christening of “MS Europa 2” we created a three-step invitation set. Life on board of the luxury cruise liner is in all elements transferred into a lively vaudeville atmosphere with colorful plants, animals and characters. To surprise and impress the guests we developed for the third step something really special: a little theater in a box, which can be easily set in motion by a little metal crank.

for Hapag-Lloyd Cruises
with Paperlux
event communication
invitation set paper in different weights and colours, offset printing, silk-screen print (incl. iriodin varnish), linen, rope

carolinrauen_toretanzt_01b carolinrauen_toretanzt_02 carolinrauen_toretanzt_03 carolinrauen_toretanzt_04 carolinrauen_toretanzt_05 carolinrauen_toretanzt_06

Nothing bad can happen

“Nothing bad can happen” is the first motion picture by Katrin Gebbe – and shown at the Festival de Cannes 2013. Her works are: straight, unsettling and sometimes even brutal, not afraid to break any rules, but with a sensitive sense for communication outside the language. Transferred to typography: clear and proud in its rounding, a little aggressive by its spikes, broad because of the big space between the letters.